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In ancient Greek times, the area of sky we know as Libra was occupied by the
claws of the Scorpion, Scorpius. They called this area Chelae, literally
meaning ‘claws’, an identification that lives on in the names of the individual stars of Libra
(see below). As things have worked out, Libra is now a slightly larger
constellation than Scorpius, but is much less conspicuous.
The identification of this area with a balance became established in the first
century BC among the Romans, although exactly when it was introduced and by
whom has been lost in the mists of history. To the Romans, Libra was a favoured
constellation. The Moon was said to have been in Libra when Rome was founded. ‘Italy belongs to the Balance, her rightful sign. Beneath it Rome and her
sovereignty of the world were founded’, said the Roman writer Manilius. He described Libra as ‘the sign in which the seasons are balanced, and the hours of night and day match
each other’. This is a hint that the Romans visualized the constellation as a balance
because the Sun lay there at the autumn equinox, when day and night are equal.
But the idea of a balance in this area did not originate with the Romans. The
Babylonians knew this area as ZIB.BA.AN.NA, the balance of heaven, around 1000
years BC. Hence it seems that the Romans revived a constellation that existed
before Greek times.
The balance pans of Libra, depicted in the Atlas Coelestis of John Flamsteed (1729).
Libra is the only constellation of the zodiac to represent an inanimate object;
the other 11 zodiacal constellations represent animals or mythological
characters. Once the identification of Libra with a pair of scales became
established it was natural to divorce it entirely from Scorpius and to
associate it instead with the other flanking zodiacal figure, Virgo, who was
identified with Dike or Astraeia, goddess of justice. Libra thus became the
scales of justice held aloft by the goddess.
Libra’s brightest star, second-magnitude Alpha Librae, is called Zubenelgenubi from
the Arabic meaning ‘the southern claw’, a reminder of the Greek identification of this constellation with the claws of
the scorpion. Beta Librae is Zubeneschamali, ‘the northern claw’.
Chinese associations
In the Chinese sky, the square formed by Alpha, Iota, Gamma and Beta Librae was Di, a palace for the Emperor to stay the night with his wife and two concubines. Di was also the name given to the third Chinese lunar mansion. In this context the name is usually translated as ‘root’, which is said to stem from the constellation’s appearance in the morning sky in early October when the ground dried up and
roots became visible. Di is also visualized as either the paw or the chest of the Blue Dragon.
Theta and 48 Librae were part of a line of four stars leading into northern
Scorpius that formed Xixian, one wall of an area used for investigating and penalizing dishonest traders in
the celestial market nearby; the other wall, Dongxian, was in Ophiuchus. In southern Libra were a couple of Chinese constellations
forming part of a cavalry camp spread over a large area south of the ecliptic. Zhenche, consisting of a triangle of stars (probably Sigma Librae and two to the south
in Lupus), was a formation of battle chariots, while Tianfu (probably Upsilon and Tau Librae) was a pile of spare spokes for mending broken
wheels.
A star in Libra on or close to the ecliptic, near the border with Scorpius, was
known as Ri, the Sun star; it lies on the opposite side of the sky from the Moon star, Yue, in Taurus, in recognition that the Sun lies opposite the full Moon in the sky.
The identification of Ri is uncertain; Kappa Librae seems most likely, although some sources identify it
as 1 or 2 Scorpii.
Even more disputed than Ri is the position of Kangchi, a lake with boats, symbolizing travellers arriving or departing by water. Sun
and Kistemaker argue that Kangchi originally consisted of the stars 11, 16 and Delta Librae plus three more in Virgo. At later times, though, it lay farther north, either straddling the border
between Virgo and Boötes, or wholly in Boötes.
© Ian Ridpath. All rights reserved
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