Cassiopeia was the vain and boastful wife of King Cepheus of Ethiopia, who stands next to her in the sky. They are the only husband-and-wife couple among the constellations. Classical authors spell her name Cassiepeia, but Cassiopeia is the form used by astronomers.
While combing her long locks one day, Cassiopeia dared to claim that she was more beautiful than the sea nymphs called the Nereids. Such hubris by a mortal could not go unpunished and the Nereids went in search of retribution. There were 50 Nereids, all daughters of Nereus, the so-called Old Man of the Sea, and one of them, Amphitrite, was married to Poseidon, the sea god. Amphitrite and her sisters appealed to Poseidon to punish Cassiopeia for her vanity.
Bowing to their request, the sea god sent a monster to ravage the coast of King Cepheus’s country. This monster is commemorated in the constellation Cetus. To appease the monster, Cepheus and Cassiopeia chained their daughter Andromeda to a rock as a sacrifice, but Andromeda was saved from the monster’s jaws by the hero Perseus in one of the most famous rescue stories in history.
In the sky, Cassiopeia is depicted sitting on her throne. Each night she circles the celestial pole, sometimes upright, sometimes hanging upside down in apparent danger of falling out. The mythologists interpreted the indignity of this celestial funfair ride as part of her punishment from the gods, who made her a figure of fun. Aratus wrote that she plunged headlong into the sea like a diver (some translate it as ‘tumbler)’, her feet waving in the air, because as seen from Greek latitudes she would have received a ducking at the lowest point on each circuit. Her long-suffering husband Cepheus alongside her endured the same fate.
Germanicus Caesar described Cassiopeia thus: “Her face contorted in agony, she stretches out her hands as if bewailing abandoned Andromeda, unjustly atoning for the sin of her mother,” and this is how she is drawn in early manuscripts illustrating the works of Aratus and Hyginus. However, from the time of Dürer onwards she was portrayed not with her arms outstretched but holding aloft a palm frond in one hand. With her other hand she is either holding a robe or fussing with her hair, as in the illustration below.
Cassiopeia the vainglorious queen seated on her throne, depicted in the Atlas Coelestis of John Flamsteed (1729).
The constellation of Cassiopeia has a distinctive W-shape made up of its five brightest stars, which writers such as Aratus likened to a key or a folding door. Alpha Cassiopeiae is called Shedir or Schedar, from the Arabic al-sadr meaning ‘the breast’, where Ptolemy said it lay. Beta Cassiopeiae is known as Caph from the Arabic meaning ‘stained hand’, as the stars of Cassiopeia were thought by the Arabs to represent a hand tattooed with henna. Delta Cassiopeiae is named Ruchbah, from the Arabic for ‘knee’, rukbat. The central star of the W, Gamma Cassiopeiae, is an erratic variable star, given to occasional outbursts in brightness.
Although the W shape of Cassiopeia seems obvious to us, Chinese star charts showed no sign of it. Instead, three stars of the W formed part of a group called Wangliang, commemorating a legendary Chinese charioteer of that name. Older Chinese charts depicted this as a fan-shaped group: a line of four stars (Gamma, Eta, Alpha and Zeta Cassiopeiae) represented the team of horses and a fifth, Beta, was Wangliang himself. Another star nearby represented his whip, Ce, which was Kappa Cassiopeiae. However, on later depictions the constellation consisted of Beta, Kappa, Eta, Alpha and Lambda Cassiopeiae, with Gamma Cassiopeiae as the whip.
Wangliang is the subject of a Chinese moral story. Wangliang was asked to drive a carriage for a hunter called Hsi. But they failed to down one bird all day. Hsi returned from the hunt, complaining that Wangliang was the worst charioteer in the world. Stung by this criticism, Wangliang asked to try again. This time, they bagged ten birds in just one morning. Impressed, Hsi asked Wangliang to be his full-time charioteer. Wangliang refused, explaining that on the first occasion he had driven according to the rules; the second time, he had cheated by driving into the birds to make it easier for Hsi to catch them. He declined to drive for a hunter who was not honourable. He said: “A man cannot straighten others by bending himself.”
The other two stars of the W (Delta and Epsilon Cassiopeiae) were part of a chain of six stars called Gedao running from Iota Cassiopeiae in the north via Theta to Omicron Cassiopeiae in the south. Gedao represented a pathway into the Central Palace, as the Chinese termed the circumpolar region (for more on the Central Palace, see Ursa Minor); Gedao was also seen as the flag or banner of Wangliang. Next to it a single star called Fulu (possibly Zeta Cas) represented an alternative route or side road.
Crossing northern Cassiopeia from present-day Cepheus into Camelopardalis was a chain of nine stars called Chuanshe, representing guest rooms for visitors. These apartments lay just outside the walls of the Central Palace. As is so often the case, the identities of the stars are obscure.
Farther north, at the very entrance to the Central Palace, were Huagai and Gang, two related groups of stars that represented the Emperor’s gilded canopy for processions and its support. Huagai consisted of seven stars and Gang nine, the brightest of them being 4th-magnitude 50 Cas.
The eastern boundary wall of the Central Palace is generally thought to have ended in Cassiopeia with the close pair of stars 21 and 23 Cassiopeiae, although some sources place its end in Cepheus.
© Ian Ridpath. All rights reserved