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Altars feature frequently in Greek legend,
for heroes were always making sacrifices to the gods, so it is
not surprising to find an altar among the stars. But this altar
is a special one, for it was used by the gods themselves to
swear a vow of allegiance before their fight against the
Titans, according to Eratosthenes and Manilius. That clash was
one of the most significant events in Greek myth.
At that time the ruler of the Universe was
Cronus, one of the 12 Titans. Cronus had overthrown his father,
Uranus, but it was prophesied that he would in turn be deposed
by one of his own sons. In a desperate attempt to forestall the
prophesy, Cronus swallowed his children as they were born:
Hestia, Demeter, Hera, Hades and Poseidon, all ultimately
destined to become gods and goddesses. At last, his wife, Rhea,
could not bear to see any more children swallowed. She smuggled
the next child, Zeus, to the cave of Dicte in Crete and gave
Cronus a stone to swallow instead, telling him it was the
infant Zeus.
Ara, the altar, depicted as an elegant censer with its flames rising southwards in the Uranometria of Johann Bayer (1603). © Tartu Observatory Virtual Museum. For Bode’s later version, click here.
On Crete, Zeus grew up safely. When he
reached maturity he returned to his father’s palace and
forced Cronus to vomit up the children he had swallowed, who
emerged as fully grown gods and goddesses. Zeus and his brother
gods then set up an altar and vowed on it to overthrow the
callous rule of Cronus and the other Titans.
The battle raged ten years between the
Titans, led by Atlas, on Mount Othrys, and the gods led by Zeus
on Mount Olympus. To break the deadlock, Mother Earth (Gaia)
instructed Zeus to release the ugly brothers of the Titans,
whom Cronus had imprisoned in the sunless caves of Tartarus,
the lowermost region of the Underworld. There were two sets of
brothers, the Hecatoncheires (hundred-handed giants) and the
one-eyed Cyclopes, and they wanted revenge against Cronus. Zeus
stole down to Tartarus, released the monstrous creatures and
asked them to join him in the battle raging above. Delighted by
their unexpected freedom, the Cyclopes set to work to help the
gods. They fashioned a helmet of darkness for Hades, a trident
for Poseidon and, above all, thunderbolts for Zeus. With these
new weapons and their monstrous allies, the gods routed the
Titans.
After their victory, the gods cast lots to
divide up the Universe. Poseidon became lord of the sea, Hades
won the Underworld and Zeus was allotted the sky. Zeus then
placed the altar of the gods in the sky as the constellation
Ara in lasting gratitude for their victory over the Titans.
The Greeks regarded Ara as a sign of storms
at sea. According to Aratus, if the altar was visible while
other stars were covered by cloud, mariners could expect
southerly gales.
The altar is usually depicted with its base
to the north and its flames rising southwards, as shown on the
Farnese globe and described by Ptolemy in the Almagest, although R.
H. Allen wrongly states that this orientation did not become
established until Bayer’s atlas in 1603. Atlases also
depict Ara as the altar on which Centaurus is about to
sacrifice Lupus, the wolf.
© Ian Ridpath. All rights reserved
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