Altars feature frequently in Greek legend, for heroes were always making sacrifices to the gods, so it is not surprising to find an altar among the stars. But this altar is a special one, for it was used by the gods themselves to swear a vow of allegiance before their fight against the Titans, according to Eratosthenes and Manilius. That clash was one of the most significant events in Greek myth.
At that time the ruler of the Universe was Cronus, one of the 12 Titans. Cronus had overthrown his father, Uranus, but it was prophesied that he would in turn be deposed by one of his own sons. In a desperate attempt to forestall the prophesy, Cronus swallowed his children as they were born: Hestia, Demeter, Hera, Hades and Poseidon, all ultimately destined to become gods and goddesses. At last, his wife, Rhea, could not bear to see any more children swallowed. She smuggled the next child, Zeus, to the cave of Dicte in Crete and gave Cronus a stone to swallow instead, telling him it was the infant Zeus.
Ara, the altar, depicted as an elegant censer with its flames rising southwards in the Uranometria
of Johann Bayer (1603). © Tartu Observatory Virtual Museum. For Bode’s later version, click here.
On Crete, Zeus grew up safely. When he reached maturity he returned to his father’s palace and forced Cronus to vomit up the children he had swallowed, who emerged as fully grown gods and goddesses. Zeus and his brother gods then set up an altar and vowed on it to overthrow the callous rule of Cronus and the other Titans.
Titanomachy – battle between the Titans and the gods of Olympus
The battle raged ten years between the Titans, led by Atlas, on Mount Othrys, and the gods led by Zeus on Mount Olympus. To break the deadlock, Mother Earth (Gaia) instructed Zeus to release the ugly brothers of the Titans, whom Cronus had imprisoned in the sunless caves of Tartarus, the lowermost region of the Underworld. There were two sets of brothers, the Hecatoncheires (hundred-handed giants) and the one-eyed Cyclopes, and they wanted revenge against Cronus. Zeus stole down to Tartarus, released the monstrous creatures and asked them to join him in the battle raging above. Delighted by their unexpected freedom, the Cyclopes set to work to help the gods. They fashioned a helmet of darkness for Hades, a trident for Poseidon and, above all, thunderbolts for Zeus. With these new weapons and their monstrous allies, the gods routed the Titans.
After their victory, the gods cast lots to divide up the Universe. Poseidon became lord of the sea, Hades won the Underworld and Zeus was allotted the sky. Zeus then placed the altar of the gods in the sky as the constellation Ara in lasting gratitude for their victory over the Titans.
The Greeks regarded Ara as a sign of storms at sea. According to Aratus, if the altar was visible while other stars were covered by cloud, mariners could expect southerly gales.
The altar is usually depicted with its base to the north and its flames rising southwards, as shown on the Farnese globe and described by Ptolemy in the Almagest, although R. H. Allen wrongly states that this orientation did not become established until Bayer’s atlas in 1603, illustrated above. Atlases also depict Ara as the altar on which Centaurus is about to sacrifice Lupus, the wolf.
In China, five stars of Ara formed the constellation Gui, representing an edible tortoise living in the river of the Milky Way; the stars were probably Epsilon, Gamma, Delta, Eta and Zeta Arae. Tortoises are actually land animals, so Gui is better thought of as a turtle; turtles were prized as a delicacy in China. There was another turtle in the Chinese sky, Bie, not far away on the banks of the Milky Way in Corona Australis.
A line of three stars formed Chu, a pestle for pounding rice to remove the husks, a procedure known as hulling. The rice was separated from the chaff in the winnowing basket, Ji, to the north in Sagittarius. The three stars of Chu were most likely Sigma, Alpha and Beta Arae, although some depictions place Chu next door in Telescopium, incorporating Alpha and Zeta Telescopii.
© Ian Ridpath. All rights reserved